Summer Outfit Inspiration from Pakistani Drama!

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REVIEW: THE GLASSWORKER

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Written by Usman Riaz and Moya O’Shea | Directed by Usman Riaz The Glassworker is a beautiful hand-drawn animated film making it an ode to Studio Ghibli paying tribute to the timeless magic of Japanese storytelling.  Set in the fictional seaside town of Waterfront, it tells the story of Tomas, a pacifist glassmaker, and his son Vincent, who dedicate their lives to their craft amid rising political tension. As war brews, Vincent befriends Alliz, the spirited daughter of Colonel Amani, a military officer preparing for battle over the Great Ravine, which is a mineral-rich territory coveted by two rival nations.   Alliz, who is a gifted violinist, and Vincent, a young glassblower, connect through their shared love of art and creativity, even as the world around them begins to crumble.  Colonel Amani’s ambitions take a darker turn, as the war intensifies, forcing Tomas and Vincent into creating glass components for th...
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THE TEACHER - REVIEW

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Director: Farah Nabulsi | Writer: Farah Nabulsi  Cast: Saleh Bakri, Imogen Poots, Muhammad Abed Elrahman “One of yours is equal to a thousand of mine.”  Directed by Farah Nabulsi, The Teacher gives the audience a harrowing glimpse of life under occupation, their means of resistance and survival, and bonds that form as a result. The film delves into the intricate realities and challenging decisions Palestinians in the West Bank have to make as a result of systemic injustice and oppression that they face by the hands of the brutal occupation. Nabulsi describes the film as a “human drama in a political landscape” and a “story about characters that represent a severely marginalised and underrepresented people," stating that she "needed to make this film to cope with the injustice I've witnessed .” The film explores the complex relationship between a teacher and a student who unexpectedly form a bond to cope with the loss of their loved one, to heal, and find peace....
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BIRYANI REVIEW EPISODE 4-5

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The drama is finally beginning to settle into its intended trajectory. The frequent references to the 1947 India–Pakistan Partition and the feudal system are no longer random; they tie directly into Nisa’s backstory. Her family, uprooted from India, migrated to Pakistan and had to rebuild their lives from scratch with very limited resources. While some migrants may have embraced the new homeland without resentment, others—like Nisa’s uncle—carried the scars of displacement. His bitterness stems from a belief that his sacrifices were never acknowledged or rewarded. This bias is particularly visible in his disdain for Meeran, even before meeting him, simply because Meeran belongs to a wadera family—a system infamous for exploiting power in Pakistan. Interestingly, Meeran defies the stereotype. Unlike the typical cruel landlord, he is nuanced, showing a different side to the feudal identity. This raises a thought-provoking question: is Nisa’s uncle justified in his resentment, or...
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